Complex Krithies by various vaggeyakaras. Syama Shastri swarajatis- Yadukula kambhoji and Todi. Simple kritis by Tyagaraja, Dikshitaar and Syama Shastri. Concept of ragam exemplified with geetam in different ragas. Identifying the ‘adhara shadja’ and singing according to shruti. The specific combination of notes in different ragas have the ability to activate different chakras in the body and thereby keep the energy of all chakras balanced, which in turn prevents all diseases for a disease in the body is due to imbalance in the energies of different chakras. Learning carnatic music can make learning any other form of music relatively easy. ‘ Gamakas’ not enhance the beauty of compositions, they also build up strength in the singing pattern. Presented papers in workshops and seminarsĬarnatic music is different from other forms of music in that, it is rich in ‘ gamaka’. Teaching experience: has been teaching students online in USA, Canada, France, Dubai, Singapore and Australia. B grade artiste in All India Radio, Visakhapatnam. Qualified in music – both vocal and veena. Professionally faculty in Microbiology department, GITAM University. THOSE INTERESTED IN LEARNING FILM SONGS PLEASE DON NOT CONTACT ME. This is only a suggestion and is not to discourage anyone from pursuing the course online. the student must have learnt for at least one month, because a complete beginner will find handling and tuning of the instrument very difficult. Pls note: Those seeking veena classes must have minimum exposure to the instrument i.e. Medium of instruction: English, Hindi, Telugu, Malayalam. Classes offered to students round the globe. Once a student gets a hold on varnams in different ragas, he may be introduced to 'kritis' and 'kirtans'. The subsequent lessons include 'swarapallavi', 'swarajati' and 'varnams'. From these parent ragas several ragas are derived. There are 72 parent ragas called 'melakarta' ragas. A raga is a combination of certain notes. Once a student learns gitams, he gets exposed to different ragas.The gitams are a capsulated version of different ragas. The lessons till alamkaras make the student familiar with the 'swaras', 'shruti' and 'taalam'. The fundamental exercises include sraliswaras, jantaswaras, datu swaras, alamkaras and gitams. My teachers teach me, no doubt but my students also teach me ways to improvise teaching as they differ in age and abilities, thereby making me think newer ways to make everyone of them understand. There is no end to learning this subject and I am happy that I am always a student, undoubtedly. I am qualified in both veena and vocal and I have been teaching music online to students in India and abroad. Having combined science and music I have realised that no drug can replace carnatic music. Having enjoyed exploring carnatic music to the best of my ability with the little knowledge that I have, I wish to spread the message to the entire world, that learning carnatic music is not only pleasure giving to the ears, but it is also a way to a healthier life. I am an Assistant Professor of Microbiology, but music is my passion. I welcome you all to this site where one can learn Carnatic music irrespective of one's geographic location and cultural background. Other composers incldue Kshetrayya, Narayana Teertha, Annamayya, Bhadrachala Ramadasa and Jayadeva to name a few. 
The contributions of the musical trinity -'Thyagaraja', 'Shyama Sastry' and 'Muttuswami Diskhtar' are materpieces. The fundamental lessons were composed by Purandhara Dasa. So, in a way it is the music which is pleasing to the ears. Another reason is the word Karnataka can be broken into 'karna' meaning 'ear' and 'Ataka ' meaning 'haunt'. Earlier, the region lying to the south of Vindhyas range was called Karnataka and that is one reason why Carnatic music got its name. Classical music of south India is collectively called Carnatic/Karnatak Music. Sa Ri Ga Ma Pa Dha Ni Sa- Sa Ni Dha Pa Ma Ga Ri Sa.
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